Matangi

Deities

Tradition · Hindu
Alternate Names
Uchchhishta ChandaliniMantriniRaja MatangiThe Outcaste Goddess
Gender Expression
Feminine
Titles
The Outcaste GoddessThe Tantric SaraswatiThe Minister of LalitaNinth of the Mahavidyas
Domain
SpeechMusicLearningThe outcasteThe leftoversThe counselBoundary crossing
Planetary Correspondence
Mercury
Secondary Planets
VenusSun
Elemental Correspondence
AirEarth
Zodiac Affinity
GeminiVirgoAquarius
Correspondences
Colors
GreenEmerald greenBlack
Scents
SandalwoodVetiverPatchouliJasmine
Metals
CopperSilver
Animals
ParrotElephant
Sacred Timing
Sabbats
—
Hours
DawnMercury hours
Offerings
UchchhishtaLeftover foodRiceTurmericCoconutRed flowersAlcohol
Invocation Approach
Tone
Unpolished warm
Address
MatangiMantriniMa Matangi
Relationship
The goddess who takes what the house would throw away
Warning
Her practice breaks the purity rules on purpose do not tidy them
Resonance
Musicians writers those outside the pure those crossing a boundary
Symbols
ParrotVeenaSwordNooseGoblet
Mythology Summary

Matangi is the ninth Mahavidya, the tantric Saraswati: goddess of speech, music and learning who is also the outcaste (matanga, chandala) and accepts ucchishta, leftover food. In Sri Vidya she is the Mantrini, the minister and counsellor of Lalita Tripura Sundari, and her emerald-green form holds the veena and the parrot. Because her worship deliberately crosses the purity rules, she is the Mahavidya most often sanitised by modern writers and most carefully hedged by the tradition.

Modern Practice

Matangi is approached for speech, music and learning, and for the crossing of the purity boundaries that keep a person outside, and her offerings include the leftover food that the householder tradition would not give a goddess. That reversal is the practice; a Western reader who keeps only the 'goddess of the arts' half has dropped the part that does the work.

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